Atlee’s “Jawan” is the complete package, mixing up the modern pop action film aesthetic with the heady bombast of the good versus evil Bollywood social potboiler of the ’80s and ’90s.
Insidious: The Red Door
Patrick Wilson’s “Insidious: The Red Door” brings the Lamberts back for an emotionally harrowing final chapter that also doubles as a cathartic exploration into generational trauma.Read more
Suzume
It’s a narrative structure that Makoto Shinkai’s already covered in his last two films, but “Suzume” still holds the magical charm and emotional heft his movies are known for.Read more
In a timeline filled with chaos and divisiveness, Snyder’s film language — which is unafraid, and prefers to explore the resistance of the light in a world filled with darkness — could probably be the most timely thing to come to this world.
This is the story of a filmmaker, a franchise, and the failure of media literacy in prestige film journalism.
His Name is Khan
Exploring what Bollywood has given to and taken from actor, producer, and item boy Shah Rukh Khan, who completes 25 years of being Bollywood’s busiest multi-tasker this June.Read more
Bare Necessities
With “The Jungle Book” out in cinemas, the need for understanding local film markets for culturally accurate dubs is higher than ever.Read more
